Tag Archive for Milwaukee theater

“A Prison Made of Light” Playwright Thomas Simpson

We’re very excited to be working with our friend,
writer/performer/translator Thomas Simpson,
on the upcoming reading of A PRISON MADE OF LIGHT.

Thomas Haskell Simpson (Phd University of Chicago, 1997) has performed in several Theatre Gigante productions, most recently as the onstage translator and alter ego of the main character in the company’s version of Noise in the Waters, which he translated from Italian. Formerly a professor at Northwestern University, Tom has translated many plays and numerous books and articles from Italian into English, including both classics (Pirandello, De Filippo, Goldoni) and contemporary works by Marco Martinelli/Teatro delle Albe and others. With Rita Filanti he has translated American poets into Italian, and he is the author of Murder and Media in the New Rome (2010), a study of a sensational trial that became a media circus in the first years after Italy’s unification.

A PRISON MADE OF LIGHT
September 16th at 7pm CST

This is a FREE reading of a work in progress, performed by Mark Anderson, John Kishline, Isabelle Kralj, Ben Yela.
The reading will be followed by a talkback, moderated by Michael Stebbins.

RSVP necessary. Dress optional. 🙂

Send us an email today at gigante@theatregigante.org to reserve a Zoomspot!
We will confirm your reservation, and send you an invite on the day of.

Remembering a dear friend and colleague

ED BURGESS

(1952 – 2011)

video
Allyson Green’s BETWEEN

performed by Ed Burgess & Isabelle Kralj

 

Theatre Gigante productions Ed was a part of:
10th Anniversary
(1998) BETWEEN
Between You and Me
(2000)
Dead Poet’s Theatre (2000)
Petrushka
(2001)
The Initial Urge To Suck
(2005)
Woyzeck
(2006)
Down & Personal
(2007)
Antigone
(2008)
Isadora and Nijinsky
(2011)

The Great Musicians: Aaron Gardner

AARON GARDNER

video links:
Blues Connotation, by Ornette Coleman (from a safe distance)
Aaron Gardner (sax), Jeremy Kuzniar (drums), and Clay Schaub (bass)

Segment, by Charlie Parker
Aaron Gardner (sax) and Clay Schaub (bass)

Aaron Gardner is a graduate of Berklee College of Music. He spent ten years in New York playing, recording and touring with the band Ulu before moving back to his hometown of Milwaukee. He now teaches at the Wisconsin Conservatory of Music and plays with local bands such as the Willy Porter Band, Milwaukee Hot Club, De la Buena, Strangelander, The Erotic Adventures of the Static Chicken and The Paul Spencer Band.

Aaron works on an ongoing basis with Theatre Gigante and is the “one-man band” in Gigante’s Peter & The Wolf & The One Man Band. Aaron is Gigante’s absolute favorite jazz musician and we are lucky to work with him!!!

Gigante productions:
The Lears (2010)
Peter & the Wolf & the One Man Band (2016-ongoing)
Building Theatre the Gigante Way (2018-ongoing)
Crave (2020)

For more: look for Aaron on Facebook

Shepherd print review of QUORUM

Theatre Gigante’s ‘Quorum’ of Satire, Frustration


By Russ Bickerstaff
October 12, 2016

The characters in Theatre Gigante’s production of Mark Anderson’s Quorum form a cozy ensemble of local theater veterans. Anderson is first to arrive, playing a fragile, silent giant named Sammy. Next is Gigante co-founder Isabelle Kralj as Vivian, a comically contemptuous and domineering figure who quickly takes control as the rest of the ensemble arrives. Leslie Fitzwater is warmly ingratiating as Sylvia, someone very cautious of upsetting anyone else. Ron Scot Fry tenderly plays a dreamer named Martin.

Everyone in the room seems more or less in favor of coming together as a group except the charmingly surly Abner played by Michael Stebbins. Will resolution come in the form of a lab-coated Bo Johnson as a secretary with perfect penmanship? What of the mysterious arrival of Roberta, a relatively silent woman made all the more mysterious by the very expressive eyes and postures of Jocelyn Ridgely in the role?

Anderson’s comedy of petty unproductive action is particularly potent in an election year marked by incompetence on nearly every side of every political issue imaginable. The satirical sharpness is overwhelming as we watch in horror a group of people seemingly incapable of getting even the smallest thing accomplished. In a theater setting, it’s something we can all safely laugh at. In the context of the world around us, Quorum is delightfully upsetting. It’s the most fun you’ll have being frustrated in a theater this year.

QUORUM: playwright’s comments.

 

QUORUM is a play about a bunch of people, fumbling around in an attempt to organize themselves into a group of people.  They struggle with the basics of democracy:  voting, equality, and fairness, and always go away with a hint of promise to maybe try again tomorrow. The seven characters are clown-like, in a way, and the play is full of humor.
QUORUM had three primary sources of influence and inspiration:  monkeys, politics, and Robert’s Rules of Order.
I believe my initial inspiration was the social behavior of monkeys, explained to me by a television documentary I watched several times, plus research visits to “Monkey Island” at the Milwaukee County Zoo.  (In fact, “Monkey Island” was a working title, at one time.)  I started imagining people behaving like the monkeys I’d been studying, and scenes and dialogue began to emerge.
I began writing QUORUM in 1992, during the election campaign between George H.W. Bush and Bill Clinton.  Campaign tactics, politicians’ behavior, and voter attitudes were an ongoing stream of inspiration and information as I was writing.
And somewhere along the way, I bought a copy of Robert’s Rules of Order, and those essential rules for running a meeting found their way into the story.
This play is a social/political satire, and looks at our world, which otherwise deserves a piercing gaze, with a light touch and humor.  Lately, I’ve been thinking about the play as being a cross betweeHarold Pinter and PogoIn other words, Pinter, a British playwright (the dark influence in my writing) meets Pogo, a comic strip I read when I was growing up, that brilliantly and fearlessly presented political and social satire with a lot of laughs!
I began writing QUORUM 24 years ago, in a very different era of politics and American society.  Or was it?  The characters – what they say and what they do – seem painfully familiar when we look at the bullies and buffoons of our current, ongoing political campaigns.  Are we still this bunch of slightly inept strangers?

Mark Anderson

September 22, 2016

 

for tickets and show schedule, follow this link.

Next up: Theatre Gigante presents QUORUM

QUORUM, a play by Gigante Artistic co-Director Mark Anderson, opens October 7, at Plymouth Church, on Milwaukee’s East Side.
A social/political satire, first produced in Milwaukee in 1993 by Theatre X, takes a look at democracy in the hands of the people.  A bunch of strangers meet in a room, and attempt to form themselves into a group, which turns out to be not so easy.  Votes are split 50/50, not everybody fully appreciates the responsibilities of being a member of the group, the whole thing seems to be run by bullies and buffoons….

As we surveyed the current political landscape, Theatre Gigante decided to dust off our copy of QUORUM and see if it is still relevant.  It is.  Perhaps even moreso than it was 23 years ago.
Our new production features a cast of Gigante veterans: Leslie Fitzwater, Michael Stebbins, Bo Johnson, and Isabelle Kralj & Mark Anderson, plus some wonderful newcomers, Ron Scot Fry and Jocelyn Ridgely.
The second stop on this season’s “Gigante Tours Milwaukee” series, QUORUM will be performed at Plymouth Church, 2717 E. Hampshire Street (two blocks East of UWM’s Mitchell Hall).  It’s a very appropriate setting for a play about strangers meeting in a rented room, attempting to form a group.
For tickets and show schedule, follow this link.

Gigante’s WOYZECK in Swiss press

The Swiss newspaper Le Nouvelliste recently brought its attention to Parisian singer Christine Zufferey and Theatre Gigante’s upcoming production of WOYZECK, to be presented in Kenilworth 508 Theatre March 4-12, 2016.
Theatre Gigante’s acclaimed production of WOYZECK brings Christine back to the Gigante stage to perform the evocatively beautiful songs written by Tom Waits & Kathleen Brennan which, interlaced throughout the story, underscore the poetic nature of this WOYZECK, written by George Büchner and adapted for Gigante by James Butchart.
Here, Christine’s powerful voice lends itself well to the hypnotically charged music of Waits & Brennan, and she will perform it with Gigante regular Frank Pahl, a brilliantly innovative musician from Ann Arbor, who, as Music Director of the production, will display his talents on various instruments, including those self-devised and made.
Gigante audiences will remember Christine performing on Gigante’s Studio Series in February 2015, and Frank, who performed with his scintillating Little Bang Theory on the same Series in July.
Gigante is thrilled to welcome both back as part of WOYZECK!
Follow this link to more information about Gigante’s WOYZECK.

Great preview article for Rumore di acque

John Schneider wrote a really great preview for our upcoming Rumore di acque, in the Shepherd Express.

Check it out by clicking here.

TERMINUS preview at Boswell Book Co.

Gigante at Boswell Books
Tomorrow, April 21 at 7:00pm*

Come hear about the Irish contemporary theater scene
and kick-ass playwright Mark O’Rowe from dramaturg and critic Paul Kosidowski

Hear about the play TERMINUS from Isabelle & Mark

Get a preview of the fabulous script
from the cast
Megan Kaminsky, Tom Reed, and Isabelle Kralj

 

TERMINUS
May 1-16

Kenilworth 508 Theater

*copies of Terminus will be available for purchase at Boswell Books!

Boswell Book Company
2559 N. Downer Avenue
on Milwaukee’s Glamorous East Side

For tickets, go to giganteterminus.brownpapertickets.com
or call
1.800.838.3006

TERMINUS opening soon — Tickets available.

with
ISABELLE KRALJ           TOM REED        MEGAN KAMINSKY
directed by
MARK ANDERSON

For tickets, go to giganteterminus.brownpapertickets.com
or call
1.800.838.3006