We’re very excited to be working with our friend,
writer/performer/translator Thomas Simpson,
on the upcoming reading of A PRISON MADE OF LIGHT.
Thomas Haskell Simpson (Phd University of Chicago, 1997) has performed in several Theatre Gigante productions, most recently as the onstage translator and alter ego of the main character in the company’s version of Noise in the Waters, which he translated from Italian. Formerly a professor at Northwestern University, Tom has translated many plays and numerous books and articles from Italian into English, including both classics (Pirandello, De Filippo, Goldoni) and contemporary works by Marco Martinelli/Teatro delle Albe and others. With Rita Filanti he has translated American poets into Italian, and he is the author of Murder and Media in the New Rome (2010), a study of a sensational trial that became a media circus in the first years after Italy’s unification.
A PRISON MADE OF LIGHT
September 16th at 7pm CST
This is a FREE reading of a work in progress, performed by Mark Anderson, John Kishline, Isabelle Kralj, Ben Yela.
The reading will be followed by a talkback, moderated by Michael Stebbins.
RSVP necessary. Dress optional. 🙂
Send us an email today at email@example.com to reserve a Zoomspot!
We will confirm your reservation, and send you an invite on the day of.
Children in the Woods, by Daniel Kahn
performed by Daniel Kahn & The Painted Bird
I Shall be Released (in Yiddish) by Bob Dylan
translated and performed by Daniel Kahn
“Dan Kahn brings a powerful blend of intelligence and romance to his music.”
A Detroit area native, Daniel Kahn attended the University of Michigan where he studied acting, directing, playwriting and poetry, winning the University’s most prestigious writing award, the Hopwood, three times, and publishing Daylight Savings, a collection of his poems, with Ornithology Press. After finishing his studies he lived, played music, recorded, acted, directed plays and composed theatre music in New Orleans, Detroit, New York and Ann Arbor. He moved to Berlin in 2005 and founded his band The Painted Bird, which went on to tour the world and win several awards with their 5 albums – They released the albums through German world music label Oriente Musik. Their music is described as “a mixture of Klezmer, radical Yiddish song, political cabaret and punk folk.”
Theatre Gigante loves Dan’s musical poetry, and would love to work with him again, but he’s so damned booked up … someday soon! …we, at Gigante, never give up!
for more: https://www.paintedbird.de
Blues Connotation, by Ornette Coleman (from a safe distance)
Aaron Gardner (sax), Jeremy Kuzniar (drums), and Clay Schaub (bass)
Segment, by Charlie Parker
Aaron Gardner (sax) and Clay Schaub (bass)
Aaron Gardner is a graduate of Berklee College of Music. He spent ten years in New York playing, recording and touring with the band Ulu before moving back to his hometown of Milwaukee. He now teaches at the Wisconsin Conservatory of Music and plays with local bands such as the Willy Porter Band, Milwaukee Hot Club, De la Buena, Strangelander, The Erotic Adventures of the Static Chicken and The Paul Spencer Band.
Aaron works on an ongoing basis with Theatre Gigante and is the “one-man band” in Gigante’s Peter & The Wolf & The One Man Band. Aaron is Gigante’s absolute favorite jazz musician and we are lucky to work with him!!!
The Lears (2010)
Peter & the Wolf & the One Man Band (2016-ongoing)
Building Theatre the Gigante Way (2018-ongoing)
For more: look for Aaron on Facebook
Theatre Gigante pre-empts its own 32nd Season Opener, The Beggar’s Opera, with a monologue performance by Gigante Artistic co-Director Mark Anderson, at the upcoming Fourth Milwaukee Fringe Festival.
I JUST WANT TO SAY… features excerpts from three of Anderson’s twisted, witty monologues: 80 Words for Snow (1986), Who (1995), and White Clown (1999). The solo performance takes place at 3:30pm, Saturday, August 24, in the Todd Wehr Theatre at the Marcus Center.
For over 30 years, Mark Anderson has been writing and performing monologues that playfully and poetically examine the anxieties and harmonic tremors of modern living. His work has been seen in many cities across the USA, including Houston, San Diego, Los Angeles, Seattle, Chicago, New York City, Boston, D.C., Atlanta, and closer to home, Milwaukee, Madison, Appleton, Green Bay and Sheboygan. He has toured with PS122 Field Trips, has received several commissions for new works, and has twice earned the Wisconsin Arts Board Interdisciplinary Arts Fellowship. His book of monologues, Making a Living, was published by Woodland Pattern. He has performed six of his monologues under the auspices of Theatre Gigante.
What critics have said:
Washington Post – Alan M. Kriegsman
Mark Anderson, tall and pencil-thin, is a natural wit whose mock metaphysical disquisition on the human life cycle pitted an almost schoolmasterish text and delivery against an undertone of wry, wistful and mordant observation.
Pittsburgh Press – Lynne Conner
Anderson’s “speaker” moved through a self-conscious stream of observations on the big themes – birth, marriage and death – with a calculated humility…
Milwaukee Magazine – Paul Kosidowski
Anderson has a knack for making “the everyday” interesting—and even pleasantly perplexing. When he talks about art, after all, he is talking about decades of a life devoted to it—its questions, joys, challenges and frustrations. And, of course, its rewards. …it is informed by artistry, thought and reflection—the willingness to discover or uncover something new, original and even beautiful.
Third Coast Daily – Tom Strini
Time seemed to stop within Anderson’s loopy, spiraling mind — and yes, we were as much into Anderson’s brain as he was into ours.
Milwaukee Journal Sentinel – Mike Fischer
…material this good and delivered this well is bound to sustain, long after the lights come down and we walk back out into the night, no longer alone.
I JUST WANT TO SAY…
Saturday, August 24, 2019, at 3:30pm
Todd Wehr Theatre, Marcus Center for the Performing Arts
ticket information: http://mkefringe.com/tickets/
check out this great preview from the Wisconsin Gazette
In the upcoming BEAUTIFUL AND POINTLESS (Dec 4-6), Theatre Gigante stages five plays by poet Frank O’Hara: Try! Try!, Grace and George, Change Your Bedding!, Lexington Avenue, and Very Rainy Night.
FRANK O’HARA (1926-1966) was a poet, playwright, art critic, and curator in 1950s and 60s New York. In his life and work, he was a creative and social force connecting writers and artists, being close friends with writers John Ashbery, Joe LeSeuer, Amiri Baraka (Leroi Jones) V. R. “Bunny” Lang, Kenneth Koch, and visual artists Grace Hartigan, Alfred Leslie, Alice Neel, Willem de Kooning, Larry Rivers, Jasper Johns, Joan Mitchell — and many many others.
O’Hara wrote his friends into his plays and poems, and his friends painted, drew, photographed and wrote about him. In Try! Try!, O’Hara’s fellow poets John Ashbery and Violet Lang played the leads; Grace and George were played by painters Grace Hartigan and George Montgomery.
This is Gigante’s third foray into the world of Frank O’Hara. In 2000, Ed Burgess took O’Hara’s Very Rainy Night and wrote a framework around it, adding another character, more dialogue, and including music and movement in his staging. Two years later, director Wes Savick directed three more O’Hara plays for the company, including Lexington Avenue and Change Your Bedding! Gigante is excited to re-visit Ed and Wes’ work, and to add two new scripts, Grace & George, and Try! Try!
COME SEE THE SHOW!
Dec 4 @ 7:30
Dec 5 @ 7:30
Dec 6 @ 3:00
call 414.961.6119 to reserve a seat
706 S Fifth Street
Milwaukee’s Walker’s Point Neighborhood
For more information, click!